Not bad, surprisingly. The Farewell offers a window through which westerners could see and appreciate common Chinese beliefs and values manifested naturally in people's daily life and interactions. It does a good job to present modern China and its ecosystem on a micro-level, i.e. family, without sugarcoating or demonising it. I understand why some Chinese audience may argue that the view of culture differences (expressed explicitly through conversations) is superficial, but I think this superficiality actually renders it particularly true, because that very view is held by actual people - it is not imagined, and it is not profound for a purpose.

太歇斯底里了以至于看完很心累…导演各种镜头和光影的运用有效增强了我的烦躁指数，尤其是各种转圈：不停环拍、转圈走位、坐椅子转圈…女主的确牛，不只是演技，体力和身体条件都很牛，隧道那段一般人学都学不来…突然想到女主=波兰；男主=西方阵营；恶魔=苏；复制男主=苏式波兰，这样套的话似乎也行，所以儿子（人民）最后直接选择了了结。这是骂了一圈啊…

跑步片，貌似BUG比第一季更多了

陈键锋好像很适合这种角色设定——一开始正义使者，因为感情/亲情逐渐黑化

这才是“谈谈情跳跳舞”的节奏嘛~恋爱关系就如共舞，双方步调一致毋庸赘言，更重要的是谁先迈出第一步就奠定了整支舞的基调。影片立意挺好，几段探戈舞也赏心悦目，但终究还是逃不出女导演的自恋怪圈。